Foto: F. Cioffi
GIOVANNI TAMAGNONE
Biografia
Giovanni Tamagnone nasce ad Airasca, vicino a Torino, in Italia.
Fin da bambino disegna, colora, e frequenta lo studio di scultura del marito della sua maestra
Adolescente, disegna a matita e china, copiando i Maestri rinascimentali, specie Michelangelo , e
realizza una composizione olio su tela. ( Sito Web, Galleria “ 1965 – 1983 “ opera n° 1 )
Nel 1975, a Parigi, l\\\\\\\\\\\\\\\'incontro visivo con le opere degli Impressionisti e una grande mostra di
Picasso lo inducono a rompere gli indugi e ad occuparsi di arti visive in modo sistematico.
Decide di frequentare nel \\\\\\\\\\\\\\\'77 e \\\\\\\\\\\\\\\'78, all\\\\\\\\\\\\\\\' Accademia Albertina di Torino, il “Corso libero del nudo “
tenuto dal Prof. Filippo Scroppo, artista dalle molte frequentazioni parigine dei Maestri
dell\\\\\\\\\\\\\\\'Avanguardia, da Picasso a Matisse; torna quindi a disegnare, studia e sperimenta i toni del
colore, dipinge, provando ad abbozzare dall\\\\\\\\\\\\\\\' \\\\\\\\\\\\\\\'80 un\\\\\\\\\\\\\\\'arte che superi, inglobandoli e mixandoli, gli
-ismi delle Avanguardie. ( Sito Web – Galleria “ 1965 – 1983 “ n° 4, n°6, n°7 )
Alla fine del \\\\\\\\\\\\\\\'79 si licenzia dalla Olivetti, e fa esperienze nel settore grafico-pubblicitario; si
interessa di decorazione e nello specifico produce per la Ceramica di Assisi grandi pannelli floreali
per il mercato tedesco.
Partecipa a collettive, premi, ecc. e viene selezionato da Nani Razetti per l\\\\\\\\\\\\\\\'iniziativa dei Murales a
Diamante ( CS ) nell\\\\\\\\\\\\\\\' \\\\\\\\\\\\\\\'81. ( Sito Web,
rolex replica Galleria “ 1965 – 1983 “, n° 9 )
Dall\\\\\\\\\\\\\\\' \\\\\\\\\\\\\\\'82 l\\\\\\\\\\\\\\\'attività artistica prende una piega più professionale, e nell\\\\\\\\\\\\\\\' \\\\\\\\\\\\\\\'83 espone opere su carta allo
Studio Laboratorio di Torino, con intervento critico di Angelo Mistrangelo.
Nell\\\\\\\\\\\\\\\'83 prende forma la composizione \\\\\\\\\\\\\\\" Paesaggi con struttura \\\\\\\\\\\\\\\", che darà origine ad una vasta
produzione di opere, che si interromperà nel 1985, virando nella breve serie delle \\\\\\\\\\\\\\\" Cronache d\\\\\\\\\\\\\\\'assenze \\\\\\\\\\\\\\\"
vero punto di rottura che porterà al lungo periodo di silenzio produttivo ( Sito Web, Galleria \\\\\\\\\\\\\\\" Paesaggi con
struttura \\\\\\\\\\\\\\\" ).
Tramite la Galleria Alba di Ferrara, nell\\\\\\\\\\\\\\\' \\\\\\\\\\\\\\\'84 partecipa all\\\\\\\\\\\\\\\' Expo Arte di Bari con uno stand
completo, e due suoi pezzi, sempre nell\\\\\\\\\\\\\\\' \\\\\\\\\\\\\\\'84, sono esposti alla Coliseum International Art Fair di
A Bari, l\\\\\\\\\\\\\\\'intero stand viene acquistato da Tonino Colloca, mercante e critico d\\\\\\\\\\\\\\\'arte che opera nella
zona di Roma. Ha inizio una attività di partecipazione ad iniziative in Centri culturali romani e a
manifestazioni a Catanzaro, Cosenza, Lamezia Terme, ecc. Per un paio d\\\\\\\\\\\\\\\'anni vive esclusivamente
della produzione delle sue opere, regolarmente assorbite dal mercato.
Alla fine dell\\\\\\\\\\\\\\\' \\\\\\\\\\\\\\\'84, mostra personale alla Galleria \\\\\\\\\\\\\\\" Orsa Maggiore \\\\\\\\\\\\\\\" di Ostia Lido, incentrata sui
\\\\\\\\\\\\\\\" Paesaggi con struttura \\\\\\\\\\\\\\\" , con intervento critico di Tonino Colloca, che sponsorizza un suo
inserimento nel Catalogo Arte Mondadori del 1985.
Una profonda criticità circa il ruolo dell\\\\\\\\\\\\\\\'artista lo porta, verso la fine dell\\\\\\\\\\\\\\\' \\\\\\\\\\\\\\\'85, ad entrare in un
periodo di silenzio produttivo; un periodo di inquietudine, tra il rifiuto dell\\\\\\\\\\\\\\\'arte visiva così come
l\\\\\\\\\\\\\\\'aveva percepita nella stagione romana e il bisogno interiore ineliminabile di esprimersi
Riprende a lavorare dalla metà del \\\\\\\\\\\\\\\'99, e una curatrice di eventi artistici gli organizza, ad Agosto
2000, una retrospettiva 1980-2000 a Bardonecchia ( To ), con patrocinio di Regione Piemonte,
Provincia di Torino e Comune ospitante, con sponsor, ecc, con interventi critici e resoconti sulla
stampa locale e anche nazionale ( Olga Gambari su Repubblica ).
Nei primi anni del nuovo secolo, Tamagnone si esprime in piccole serie di opere che gli
permettono di sperimentare materiali e assetti estetico-formali che si distaccano fortemente dal
precedente periodo degli anni \\\\\\\\\\\\\\\'80, ( Sito Web – Galleria “ 2000 – 2005 “ ) fino a che, verso la fine
del 2005, prende forma la struttura compositiva dei Bianco/Nero e rosa mediatico , nei quali
l\\\\\\\\\\\\\\\'artista si costringe ad esprimersi usando solo il bianco, il nero e una gamma ristretta di rossi, che,
schiariti, originano i “ Rosa mediatico “, che l\\\\\\\\\\\\\\\'artista fa assurgere a simboli della realtà virtuale che
comprime e soffoca il concreto, relegato a piccole porzioni di consapevolezza, rappresentate in
“ Bianco e Nero “. ( Sito Web – Galleria “ B/N e Rosa Mediatico “ ).
A Febbraio 2007 viene stampato “ ARTAM-TAM “, volume di 90 pagine che percorre
sinteticamente le tappe della vita artistica di Giovanni Tamagnone dagli esordi. Una versione
informatica è presente sul Sito alla sezione “ Documenti “.
Sempre nel 2007, nell\\\\\\\\\\\\\\\'ambito delle manifestazioni per il cinquantenario
replica rolex della morte di Arturo
Toscanini, a Verbania, una importante associazione culturale locale organizza a Tamagnone una
mostra personale, interamente dedicata ai dipinti della serie \\\\\\\\\\\\\\\" B/N e rosa mediatico \\\\\\\\\\\\\\\", la cui
produzione si protrae fino alla fine del 2008.
Concepiti teoricamente già dal 2000, i “ Frammenti/Matrice “ cominciano a dispiegarsi
compositivamente dal 2009, all\\\\\\\\\\\\\\\'inizio ancora impastati di stilemi “ Rosa mediatici “ e poi dal 2010
in modo autonomo, quasi delle slides volutamente generiche, senza gerarchie compositive, quasi
volessero non lasciare traccia, quasi simboli di una scarsa valenza del fluire normale della
quotidianità. Gli ultimi, del 2011, sono il riflesso di quotidianità collettive dirompenti e inquietanti,
abbandonano la genericità e diventano testimonianze.
Quando i Frammenti/Matrice virano nell\\\\\\\\\\\\\\\'ultima versione, quella dei “ verticorizzontali “, diventano
composizioni che prendono posizione, quasi un voler puntualizzare su temi che scuotono le
coscienze ( migranti, scontro politico, espressione artistica, Unità d\\\\\\\\\\\\\\\'Italia, mare che muore ). ( Sito
Web – Galleria “ Frammenti/Matrice “ ).
Il breve passaggio dei “ Quasimonocromi “ è rottura, dichiarazione di libertà artistica e di
semplificazione. ( Sito Web – Galleria “ Quasimonocromi “ )
Così, Giovanni Tamagnone giunge alle attuali produzioni, la serie dei provocatori “ Liberi tutti! “,
sempre però con una poetica ove, come efficacemente ha puntualizzato il Prof. Paolo Levi,
“... quello che conta non è la definizione stilistica, bensì la scelta del linguaggio... “ , quel
linguaggio che nell\\\\\\\\\\\\\\\'attimo produttivo Tamagnone fa suo “ … catturando ogni vibrazione di un
mondo in movimento e che in movimento deve essere rappresentato. “. ( Sito Web – Galleria “ Liberi
tutti! “ )
Nel 2009 viene selezionato tra i partecipanti al \\\\\\\\\\\\\\\" Premio Arte 2009 \\\\\\\\\\\\\\\" e viene inserito nella pubblicazione
\\\\\\\\\\\\\\\" Nuova Arte \\\\\\\\\\\\\\\", edita dall\\\\\\\\\\\\\\\'Editoriale Giorgio Mondadori e curata dal prof. Paolo Levi. Nella sezione \\\\\\\\\\\\\\\" Documenti \\\\\\\\\\\\\\\" di questo sito si trova l\\\\\\\\\\\\\\\'estratto dalla publicazione inerente Tamagnone
A Marzo 2011, Tamagnone partecipa alla prima edizione di Artistinmostra, a Parma, con
esposizione cronologica dei lavori che vanno dai Rosa mediatici ai Frammenti/Matrice , con
contributi critici del Prof. Massimo Olivetti e del Dott. Giuseppe Possa.
Da questa partecipazione si sviluppano per Tamagnone una serie di selezioni, inviti e
partecipazioni:
* Selezionato dalla Redazione Artistica del CAM per l\\\\\\\\\\\\\\\'inserzione gratuita sul Catalogo Arte
Mondadori del 2011.
* Partecipa alla Manifestazione Artisti Europei a Cremona , ai primi di Giugno 2011, come
artista selezionato e invitato.
* Finalista al Premio SCAMOZZI 2011, organizzato da Federcritici di Vicenza.
* Partecipa, come artista selezionato e invitato, alla Sezione Under 5000 della Fiera d\\\\\\\\\\\\\\\'Arte di
Padova a Novembre 2011, con uno stand dedicato.
* Fa parte dell\\\\\\\\\\\\\\\' iniziativa editoriale \\\\\\\\\\\\\\\" Creazioni \\\\\\\\\\\\\\\" , curata dal Prof. Paolo Levi, che ha selezionato gli
artisti, ne ha tracciato il profilo critico e li ha portati in collettiva a Parigi a Natale 2011.
Il relativo estratto lo si può trovare nella sezione \\\\\\\\\\\\\\\" Documenti \\\\\\\\\\\\\\\" di questo sito.
* Ad inizio 2012 accetta l\\\\\\\\\\\\\\\'invito della Gallerie Satura di Genova e partecipa nel loro stand ad
Artefiera Genova 2012 a fine Febbraio e ha esposto, tramite loro, all\\\\\\\\\\\\\\\'Arte Festival di Shanghai 2012
nella seconda metà di Luglio.
* Inizia una collaborazione con la Galleria Emmediarte di Milano, con la quale espone nella prima
quindicina di Agosto 2012 al 3° Festival dell\\\\\\\\\\\\\\\'Arte Contemporanea Italiana a Costanza ( DE ).
* Ottobre 2012; partecipa alla collettiva Italia Arte, nello spazio museale Raiko Alexiev del
Ministero della Cultura bulgaro a Sofia, organizzata da MIT ( Museo Italia Arte ) di Torino e
dall\\\\\\\\\\\\\\\'Istituto Italiano di Cultura di Sofia.
* Nella seconda metà di Gennaio 2013 partecipa, selezionato e invitato, alla collettiva NCC
New Contemporary Collection , progetto espositivo internazionale curato dal mensile
Italia Arte , MIIT e Galleria Folco di Torino, presso la sede del Museo Internazionale Italia Arte,
* Verso la fine del mese di Aprile 2013, partecipa ad ART COLLECTION, una qualificata
collettiva organizzata a Milano dalla Galleria Emmediarte.
* E\\\\\\\\\\\\\\\' ammesso come finalista senza l\\\\\\\\\\\\\\\'obbligo della selezione al Premio PIGAFETTA, organizzato da
Federcritici di Vicenza.
* Nella prima quindicina di Maggio 2013, partecipa
repliche rolex alla mostra d\\\\\\\\\\\\\\\'arte contemporanea dal titolo:
“ Festival delle Belle Arti e della Cultura del XXI secolo “. La rassegna, organizzata dall\\\\\\\\\\\\\\\'Ass.ne
Culturale La Rosa dei Venti e curata da Daniele Radini Tedeschi, ha trovato spazio nelle nuova sale
dell\\\\\\\\\\\\\\\'ex Armeria quattrocentesca, al piano terra del Palazzo che ospita il Museo Bellini, in Firenze.
* E\\\\\\\\\\\\\\\' stato selezionato e inserito tra gli artisti di ProgettoLAB, la nuova linea d\\\\\\\\\\\\\\\'arte accessibile di
ORLER. Per visualizzare la Galleria on-line e la CLIP, linkare: www.affordableartpoint.com/art/255/tamagnone_giovanni.htm
* Da fine Giugno al 10 Luglio 2013, ha partecipato alla collettiva “ Dialogando con la Biennale “,
organizzata dalla Associazione Culturale Napoli Nostra al Centro d\\\\\\\\\\\\\\\'Arte San Vidal, in Campo San
Zaccaria, a Venezia.
* Dal 6 al 22 Ottobre 2013, collettiva ART COLLECTION, presso la Galleria Emmediarte di S. Stefano Belbo,
in Via Marconi, 47.
* Tamagnone è stato selezionato ed invitato dal Prof. Vittorio Sgarbi e far parte del Progetto
editoriale “ Artisti – Porto franco “, una selezione di 100 talenti artistici italiani del 2013 - 2014, con
evento espositivo dedicato alla presentazione dell\\\\\\\\\\\\\\\'annuario. E\\\\\\\\\\\\\\\' prevista la segnalazione nominale
sulla home page del portale ufficiale di Vittorio Sgarbi, www.bebopart.com, e l\\\\\\\\\\\\\\\'inserimento di venti
opere in una galleria on-line.
L\\\\\\\\\\\\\\\'estratto di Tamagnone dalla pubblicazione ufficiale del Progetto lo si può reperire nella sezione \\\\\\\\\\\\\\\" Documenti \\\\\\\\\\\\\\\" di questo sito.
* Ha partecipato dal 12 al 16 Febbraio 2014 alla prima Biennale della Creatività – Italia, una
manifestazione di alto livello tenutasi a Verona a Febbraio 2014, patrocinata anche dal
Ministero dei Beni Culturali, diretta dal Prof. Paolo Levi, e che è stata inaugurata dal Prof. Vittorio
Sgarbi.
* E\\\\\\\\\\\\\\\' presente nel Catalogo \\\\\\\\\\\\\\\" ARTISTI a NEW YORK \\\\\\\\\\\\\\\", a cura dei Prof.ri Salvatore e Francesco Saverio Russo,
che la rivista Effetto Arte, presente alla prossima Fiera d\\\\\\\\\\\\\\\'Arte di New York presenterà e distribuirà ad espositori e visitatori qualificati della Fiera stessa.
* Tamagnone è stato selezionato dal Prof. Paolo Levi e inserito nel volume \\\\\\\\\\\\\\\" I Protagonisti dell\\\\\\\\\\\\\\\'arte 2014 dal XIX secolo ad Oggi \\\\\\\\\\\\\\\", un interessante percorso storico dal diciannovesimo secolo ai nostri giorni, ove gli artisti saranno collocati secondo gli stili d\\\\\\\\\\\\\\\'arte di appartenenza.
* E\\\\\\\\\\\\\\\' anche stato selezionato e inserito nel catalogo \\\\\\\\\\\\\\\" Le vibrazioni del colore \\\\\\\\\\\\\\\", curato dal Prof. Paolo Levi, pubblicazione anche questa che sarà presentata e distribuita all\\\\\\\\\\\\\\\'Art Expo di New York, dal 4 al 6 Aprile 2014.
* Ha partecipato alla mostra degli artisti del Progetto \\\\\\\\\\\\\\\" Artisti - Porto franco \\\\\\\\\\\\\\\", tenutasi dal 28 Giugno al 5 Luglio 2014 presso la Villa Castelnuovo di Palermo, durante la quale è stato presentato il volume \\\\\\\\\\\\\\\" PORTO FRANCO \\\\\\\\\\\\\\\" a cura di Vittorio Sgarbi, che presenta gli artisti selezionati nel Progetto stesso.
Hanno recentemente scritto di lui:
Giuseppe Possa
Massimo Olivetti
Paolo Levi
Alfonso Confalone
Maria Teresa Prestigiacomo
Vittorio Sgarbi
Questi contributi critici sono reperibili su questo sito, alla sezione “ Documenti “ -
Giovanni Tamagnone vive e lavora ad Almese ( TO ), in Via della Chiesa, 2.
Tel. e fax: 0039 011 9345251
Mobile: 0039 347 7039334
Mail: info@giovannitamagnone.eu
Web: www.giovannitamagnone.eu
Biography
Giovanni
Tamagnone was born in Airasca , near Turin , Italy.
Since
childhood, designs, colors , and attended the sculpture studio of her
husband\\\\\\\\\\\\\\\'s elementary school teacher .
Teenager,
he draws in pencil and ink, copying the masters of the Renaissance,
especially Michelangelo , and produces an oil on canvas composition.
(Website, Gallery 1965-1983 , picture n° 1)
In
1975 , in Paris, the visual encounter with the works of the
Impressionists and a major exhibition of Picasso led him to take the
plunge and attend to the visual arts in a systematic way .
He
decided to attend in \\\\\\\\\\\\\\\'77 and \\\\\\\\\\\\\\\'78 , to the Accademia Albertina, in
Turin , the \\\\\\\\\\\\\\\"Naked\\\\\\\\\\\\\\\'s free course \\\\\\\\\\\\\\\" held by Prof. Filippo
Scroppo , artist of many parisian acquaintances of the Masters of the
historical avant-garde, from Picasso to Matisse; then returns to
draw, and he studied and experimented shades of color, paints ,
trying to sketch from \\\\\\\\\\\\\\\' 80s art that exceed, embedding them and
mixing them , the - isms of the avant-garde . (Website - Gallery \\\\\\\\\\\\\\\"
1965-1983 \\\\\\\\\\\\\\\", pictures n°4 , n°6, n° 7).
At
the end of \\\\\\\\\\\\\\\'79 he resigned from Olivetti , and make experiences in
the field of graphic and advertising ; he is interested in decoration
and specifically produced for Ceramics of Assisi large floral panels
for the German market .Take
part in group exhibitions, awards, etc. . and is selected by Nani
Razetti the initiative of Murals in Diamante (CS ) in the \\\\\\\\\\\\\\\' \\\\\\\\\\\\\\\'81 .
(Website Gallery \\\\\\\\\\\\\\\" 1965-1983 \\\\\\\\\\\\\\\" , picture n° 9) replica watches
From
\\\\\\\\\\\\\\\' \\\\\\\\\\\\\\\'82 artistic activity takes a turn more professional, and in\\\\\\\\\\\\\\\' \\\\\\\\\\\\\\\'83
exhibits works on paper at the Studio Laboratorio in Turin , with
essay by Angelo Mistrangelo .
\\\\\\\\\\\\\\\'83 Takes shape composition \\\\\\\\\\\\\\\"Landscapes with structure\\\\\\\\\\\\\\\", which will give rise to a vast production of works, which will stop in 1985, veering into short series of \\\\\\\\\\\\\\\" Chronicles of absences\\\\\\\\\\\\\\\", true breaking point that will lead to long-term prodiction of silence.( Website, Gallery \\\\\\\\\\\\\\\" Landscape with structure\\\\\\\\\\\\\\\" ).
Through
Alba Gallery of Ferrara , in \\\\\\\\\\\\\\\' \\\\\\\\\\\\\\\'84 participates in Art Expo in Bari
with a booth full , and replique Tag Heuer two of his works, always in \\\\\\\\\\\\\\\' \\\\\\\\\\\\\\\'84 , are
exposed to the Coliseum International Art Fair in New York.
In
Bari , the entire stand is bought by Tonino Colloca , merchant and
art critic who operates in the area of Rome. Starts an activity to
participate in initiatives in cultural centers and events Romans, in
Catanzaro , Cosenza , Lamezia Terme, etc. . For a couple of years
Tamagnone lives exclusively whit the production of his works,
regularly absorbed by the market.
At
the end of \\\\\\\\\\\\\\\' \\\\\\\\\\\\\\\'84 , solo show at the gallery \\\\\\\\\\\\\\\" Orsa Maggiore \\\\\\\\\\\\\\\"
in Ostia Lido , focusing on “ Landscapes structure “ , with
essay by Tonino Colloca , which sponsors its inclusion in the
Catalogue Arte Mondadori in 1985.
A
deep critical about the role of the artist led him, towards the end
of \\\\\\\\\\\\\\\' \\\\\\\\\\\\\\\'85 , to enter into a period of silence , a period of unrest ,
including the refusal of visual art as he had perceived in Roman
season and the unavoidable inner need to express themselves
artistically.
He
to begins again to work from the middle of \\\\\\\\\\\\\\\'99 , and an editor of
artistic events , in August 2000, organizes him a retrospective from
1980 to 2000 in Bardonecchia (To) , with support of the Regione
Piemonte, Provincia di Torino and Municipality host, with sponsors ,
etc. , with critical essays and reports in the local press as well as
national ( Olga Gambari on “ Repubblica “) .
In
the early years of the new century , Tamagnone express himself
through small series of works that allow him to experiment with
materials and aesthetic- formal structures that stand out strongly
from the previous period of the 80s , ( Web Site - Gallery \\\\\\\\\\\\\\\"
2000-2005 \\\\\\\\\\\\\\\" ) until to that, towards the end of 2005 , takes
the form the compositional structure “ Black and White and media
pink “ , in which the artist is forced to express themselves using
only white , black, and a narrow range of reds, which , lightened ,
originate the \\\\\\\\\\\\\\\" media pink \\\\\\\\\\\\\\\" ; this works rise like the
symbols of virtual reality that compresses and stifles the concrete ,
confined to small portions of awareness, represented in \\\\\\\\\\\\\\\" Black
and White \\\\\\\\\\\\\\\" . (Website - Gallery \\\\\\\\\\\\\\\" B / N e Rosa Mediatico
\\\\\\\\\\\\\\\").
In
February 2007 it\\\\\\\\\\\\\\\'s printed \\\\\\\\\\\\\\\" ARTAM -TAM \\\\\\\\\\\\\\\" , 90-page volume
that covers briefly the stages of the artistic life of
GiovanniTamagnone. A computer version is present on the Website, in
the \\\\\\\\\\\\\\\" Documents\\\\\\\\\\\\\\\".
In
2007 , as part of the celebrations for the fiftieth anniversary of
the death of Arturo Toscanini , in Verbania, an important local
cultural association organizes a solo exhibition of Tamagnone\\\\\\\\\\\\\\\'s
works, entirely dedicated to paintings from the series \\\\\\\\\\\\\\\"B / W
and media pink \\\\\\\\\\\\\\\", whose production continues until the end of
2008. orologi replica
Theoretically
conceived as early as 2000 , the \\\\\\\\\\\\\\\"Fragments / Matrix \\\\\\\\\\\\\\\"
begin to unfold compositionally since 2009 , still at the beginning
of mixed styles \\\\\\\\\\\\\\\"media pink \\\\\\\\\\\\\\\" and then from 2010 as a stand
alone slides of almost deliberately generic , without compositional
hierarchy , as if to leave no trace , as symbols of a low value of
the normal flow of everyday life. The last , in 2011, are a
reflection of everyday collective disruptive and disturbing , leaving
the vagueness and become witnesses.
When
the Fragments / Matrix veer in the latest version , that of the \\\\\\\\\\\\\\\"
verticorizzontali \\\\\\\\\\\\\\\" become compositions that take place , almost
a desire to point out issues that shake the conscience (migrants,
political conflict , artistic expression, Unification of Italy , the
sea dies ) . (Website - Gallery \\\\\\\\\\\\\\\"Framenti/ Matrice \\\\\\\\\\\\\\\").
The
short passage of \\\\\\\\\\\\\\\" Quasimonocromi \\\\\\\\\\\\\\\" is breaking,
declaration of artistic freedom and simplification. (Website -
Gallery \\\\\\\\\\\\\\\" Quasimonocromi \\\\\\\\\\\\\\\" )
So
, GiovanniTamagnone comes to current productions , the series of
provocative \\\\\\\\\\\\\\\" Free For All ! “, but always with a poetry
where, as effectively pointed out by Prof. Paolo Levi , \\\\\\\\\\\\\\\" ...
what matters is not the definition of style , but the choice of
language ... \\\\\\\\\\\\\\\", language which in the production
moment Tamagnone prefers \\\\\\\\\\\\\\\" ... capturing every flip of a
world in motion and that motion must be accounted for. \\\\\\\\\\\\\\\" .
(Website - Gallery \\\\\\\\\\\\\\\" Liberi tutti! \\\\\\\\\\\\\\\" ).
In
March 2011 , Tamagnone part in the first edition of ArtistInMostra ,
in Parma, with a chronological exhibition of works ranging from “
media pink “ to “ Fragments / Matrix “, with critical
contributions of Prof. Massimo Olivetti and Dr. Giuseppe Possa .
From
this participation Tamagnone to develop a series of selections ,
invitations and investments:
*
Selected by Editors Artistic CAM for free listing in the Catalogue
Arte Mondadori in 2011.
*
Participate in the Event “ European Artists in Cremona “ , In
early June 2011 , as an artist selected and invited .
*
SCAMOZZI Finalist Award 2011 organized by Federcritici of Vicenza.
*
Participate , as an artist selected and invited to the Chamber “
Under 5000 “ in the Art Fair of Padua in November 2011, with a
dedicated stand .
*
It is part of publishing initiative “ CREAZIONI “, edited by
Prof. Paolo Levi , who selected the artists, has traced the critical
profile and brought them into the collective in Paris at Christmas
2011.
*
At the beginning of 2012 accepts the invitation of the Satura Gallery
of Genoa and participate in their booth at Artefiera Genoa 2012 in
late February and has exhibited , through them, in the Art Festival
2012 Shanghai in the second half of July.
